The Seattle Women’s Chorus introduced its new resident conductor, Beth Ann Bonnecroy, this weekend, and she’s a wonderful addition. Engaging, expressive, and clearly connected to the singers, Bonnecroy led the group through Legacy, a program that felt more focused and substantial than many of their recent concerts.
SWC has always put together strong set lists, but Legacy stood out for its depth and cohesion. The theme centered on the idea that legacy isn’t about fame or wealth, but about the impact we have on others — through our values, our relationships, and our courage. The program explored how everyday actions shape the way we are remembered and how influence can ripple through families, communities, and generations.
The concert blended choral works with spoken text and video elements. One of the most powerful moments came with Alysia Lee’s Say Her Name, featuring exceptional solo work by Jordan Pontelandolfo. The piece honored women — particularly Black women and non-binary individuals — whose lives were taken by violence and hatred. The spoken reflections woven into the performance underscored the importance of remembering and speaking their names. It was direct, moving, and difficult in the way meaningful art sometimes needs to be.
Other highlights included Does the World Say? by Kyle Pederson, with beautiful solos from Catey Rose and Ariel Young. Their performances brought warmth and sincerity to themes of identity and belonging. A recurring message throughout the program — “You are not alone. Be who you are. Love who you love.” — felt especially relevant and heartfelt.
The concert also incorporated reflections from leaders and activists such as Jane Goodall,and Gloria Steinem, connecting the idea of personal legacy to broader movements for justice and equality. Toby Young’s setting of Emily Dickinson’s My Letter to the World provided a quieter, reflective moment, while Joan Szymko’s Myr, Zaraz (“Peace, Now”) offered a stirring call for peace as the foundation for any meaningful progress.
While much of the program carried serious themes, SWC didn’t abandon its sense of joy. The energy lifted with Bob Dylan’s The Times They Are A-Changin’ and Seize the Day by Alan Menken and Jack Feldman. The finale — a sing-along combining Put a Little Love in Your Heart and Love Train — brought the audience fully into the experience, ending the afternoon on an upbeat, communal note.
This was likely the most serious concert the Seattle Women’s Chorus has presented in years, and it paid off. Under Bonnecroy’s direction, the ensemble felt focused and confident, willing to take on weightier material while still delivering the warmth and connection their audiences expect.
Overall, Legacy was a thoughtful and satisfying Sunday afternoon concert — one that balanced reflection, activism, and joy, and marked an exciting step forward for the chorus.
